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Media NewsBBC Worldwide Channels presents a host of sizzling premiere programming for summer

Published: 2 November 2009

BBC Worldwide Channels today unveils a raft of brand new programming for December 2009 to April 2010 exclusive to DStv satellite viewers.


BBC Worldwide Channels today unveils a raft of brand new programming for December 2009 to April 2010 exclusive to DStv satellite viewers.

John Taite, Director of Programming EMEA, BBC Worldwide Channels, said: “BBC Channels have got a sizzling new programming line up for you this summer. We’ve listened; we’ve made changes; and we’ve been determined to give you more of what you want. The feedback has been fantastic and we are now the most watched International Channel Portfolio on DStv.

Our flagship channel, BBC Entertainment, goes from strength to strength. The Jonathan Ross Show has become a destination for younger audiences on Friday nights – we now play the show one week after its UK transmission. Who Wants To Be A Millionaire is a runaway hit, kicking off our killer Wednesday line-up with The Apprentice and Top Gear. Our Crime and Justice season re-established us as the destination for quality drama and saw our share jump 42%.

BBC Lifestyle is still the number one channel in its category. We’ve reduced the amount of parenting programmes and increased primetime food shows to satisfy our hungry viewers.

BBC Knowledge has established itself as the home of entertaining experts and award-winning documentaries.

Parents and children alike love CBeebies. It is the fastest growing children’s channel in Africa and consistently scores the highest satisfaction ratings. Not surprising given its commercial free environment where kids can learn through play.

Now we want to give you even more. More variety; more fresh programmes; and more talk about event TV. We’re here to deliver you the best of British and we hope you’ll enjoy what we have to offer.”

BBC Entertainment delivers a mix of comedy; drama; and light entertainment for the summer months. Presented by Myleene Klass and Nick Knowles, Last Choir Standing sees choirs from across the nation go head to head to find out who has the most power; passion; and performance. Thousands of choirs from all walks of life, singing any style of music, send in their applications on video, and the best are invited to perform in front of a panel of esteemed judges. Each week two choirs go through to the live 'knockouts' where the UK audience at home chooses their favourite until only three remain. In an emotional finale, the most rousing performance will see only one crowned the Last Choir Standing. The series is a BBC Production.

Hailed as the best new stand-up to emerge in a decade, Michael McIntyre has taken the comedy world by storm. Now, he's turning his attention to others as he travels the UK to bring viewers the best in new and established talent. Joining him on stage are Rhod Gilbert; Sean Lock; Al Murray; Patrick Kielty; Jason Manford; and Shappi Khorsandi, as well as a host of hilarious newcomers. With a finger tightly on the pulse of the booming UK comedy circuit, Michael McIntyre's Comedy Roadshow is never short on laughs. An Open Mike production.

Top Gear, the world's biggest car show, is back for a thirteenth series, and Jeremy; James; and Richard are no less ambitious. Richard goes to Abu Dhabi to test the new Lambo Murcielago LP640-4 SV; the boys buy three £1 500 rear-drive sports cars and somehow find themselves entered in a terrifying French ice race; film star, Sienna Miller; King of Twitter, Stephen Fry; and chat show host, Jay Leno, are amongst the stars taking part in 'Star in a Reasonably Priced Car'; and in a television-first, the mysterious Stig takes off his helmet to reveal just who he really is. Top Gear is a BBC Production.

The Old Guys is a new comedy about settling into old age with style. Housemates, Tom (Roger Lloyd Pack, Only Fools and Horses) and Roy (Clive Swift, Keeping Up Appearances) are the ying to each other's yang. Roy is well-read; organised; clean; and sensitive. Tom, well, isn't. Together, however, they manage to muddle through life - answering the important questions that retirement poses. Questions involving religion; true-love; and precisely how early is too early to start drinking in the day. The Old Guys is a BBC Production.

Award-winning intelligence drama, Spooks, returns for a seventh series. Heart-throb, Richard Armitage (Robin Hood) joins the cast as MI5 officer, Lucas North. Having spent the past eight years in a Russian prison, Lucas North is welcomed back by MI5 supremo and old friend, Harry Pearce. Lucas is keen to get back to work straight away and, with Section D's current priority operation having a strong Russian connection, he could well prove invaluable. But, after eight years with only a high ranking Russian spymaster for company, can Lucas' loyalty really be taken for granted? A Kudos Film and Television Production.

In the latest fifth series of Hustle Mickey (Adrian Lester, The Day After Tomorrow)has returned to a new London. The credit crunch has hit Britain and while the majority of people are tightening their belts, there are still a scurrilous and greedy few who are getting ever richer from others’ losses. If there is opportunity to be found and money to be made, then you can be sure that Mickey and the team will be there, ready to teach the immoral and materialistic members of society a valuable lesson. A Kudos Film & Television production in association with Red Planet Pictures.

Award-winning and critically acclaimed crime drama, Waking the Dead, returns with a dark and frightening eighth series. With new offices in an eerie basement, a new team member who has secrets of her own, and Boyd (Trevor Eve, Possession) seemingly more reckless than ever, how will the Cold Case Squad survive? Stunning visual effects; a new score; and ambitious stories that force the team to re-evaluate their relationships with each other make this series is deeper and darker than ever before. Waking the Dead is a BBC Production.

Multi-award-winning The Apprentice is back for a new fourth series, as no-nonsense, self-made millionaire, Sir Alan Sugar, returns to challenge a new group of 16 aspiring tycoons, who will battle it out in the toughest challenge of their lives. The candidates lined up for series four includes: a barrister; a bank manager; a risk manager; an ex-Army engineer; a single mother; an international car trader; an artist; a former championship show jumper; and a business liaison manager with royal connections. The new series raises the business bar, with more twists and turns than ever before. A talkbackTHAMES production for BBC.

Terrifying Michelin-starred chef, Gordon Ramsay, is back ready to roast another batch of aspiring US restaurateurs in this fourth series of the hit reality show, Hell’s Kitchen USA. Expect liberal sprinklings of real-life drama; high emotion; and culinary passion as 'perfectionist' Ramsay attempts to instil his love of all things food into a group of competing amateur chefs. With his reputation on the line, he assesses their performances and drives them to achieve their best... but who will have what it takes to survive in Hell's Kitchen and win their own restaurant? Hell’s Kitchen USA is a Granada America Production for Fox.

Part of the line-up for Christmas, The Worst Christmas Of My Life, A Hat Trick Production, stars Ben Miller (Primeval) and Sarah Alexander (Coupling). The second series saw Howard and Mel finally making it down the aisle, moving into a new home and expecting their first child. Now, in the new series, Howard and Mel are looking forward to their first Christmas as a family with their new baby daughter, Emily. However, for Howard, and those close to him, life is rarely that simple. From suicidal secretaries to maniacal relatives; homicidal boyfriends; and belligerent Santas, circumstances conspire to make this a Christmas to remember – for all the wrong reasons.

Top Gear’s James May presents two programmes on BBC Knowledge about his love of all things Space. As a child, James dreamed of being an astronaut. He was fascinated by the engineering that had made man's voyages into space and the famous trip to the moon possible. So now it's time for James to don his space suit and set off on a fascinating journey to discover the stories of the heroes behind the moon landings in James May On The Moon. With his unique brand of humour, he charts the progress of space travel — from Robert Goddard, the father of rocket design, to the men who walked on the moon themselves. A BBC Production.

In the second part of James’ investigation, he travels to the edge of the Earth in one of the most iconic planes of the 20th century - the U-2 spy plane. A product of the Cold War, this plane was designed to fly out of reach of missiles; radar; and fighter planes, and has been snooping on America's adversaries since 1960. James May At The Edge Of Space follows James through three days of intensive training with the Air Force. It follows him as he talks to the pilots; discovers the history of the plane; and prepares to take off. And as he cruises twice as high as a jumbo jet, watching the curvature of the Earth next to the blackness of Space, James gets as close as he's likely to get to an astronaut's view of space. A BBC Production.

Festivals are the one time of the year where families; communities; and whole countries come together to celebrate. But what do these ritual festivals tell us about people and their cultures? Feasts is a new series that follows epicurean and author, Stefan Gates, during the build-up to some of these countries' most important religious and cultural food extravaganzas and joins in the extraordinarily lavish affairs that sometimes last for days at a time. He takes part alongside families and communities as they unite for an unforgettable few days of eating; drinking; dancing; singing; and dressing up in ways that are totally unique to their culture. Feasts is A Plum Pictures production for the BBC.

From the makers of Last Man Standing, Tough Guy or Chicken? sees five young men brave challenges that most people would run from. Around the world there are men who every day confront the most dangerous forces of the natural world – formidable beasts in some of the most extreme environments on Earth. These men have learnt to conquer nature by first conquering their own fears… but what about five brash young lads who think they can handle just about anything thrown at them? The group of intrepid adventurers must contend with being thrown into the deep end of the scariest real-life jobs on the planet. These young men are full of confidence, but on this journey they will find out things about the world and about themselves that they never knew before. A BBC Production.

Acclaimed historian, and one of the world's leading authorities on the Tudors, Dr David Starkey, presents Henry – Mind Of A Tyrant; the most detailed analysis to date of the life of this infamous British monarch. Henry's accession to the throne in 1509 was greeted with wild rejoicing. Tall; athletic; and handsome, he filled the nation with hope. However, by his death 38 years later, he had earned the reputation of a tyrannical and ruthless monarch. How did the one turn into the other? Henry – Mind Of A Tyrant is a Redhouse DOX production for Channel 4.

The second series of Tribal Wives sees six British women give up their everyday lives and spend a month living with some of the world's most remote communities. In order to get a real sense of their new life, the women spend a month living with their new families and immersing themselves fully into their new culture. Tribes featuring in this series include the Waura, who live along the Xingu River in the Brazilian Amazon; the Hamar, semi-nomadic cattle farmers in the bush covered hills of Ethiopia's Omo Valley; and the Kitava, a matrilineal community in the lush Trobriand Islands off the coast of Papua New Guinea. A Diverse Bristol production in association with Goldhawk Media.

Everyone’s favourite survival expert, Ray Mears, dons his rucksack and heads out into the wilds of Canada – one of the greatest wildernesses on the planet - in Ray Mears’ Northern Wilderness. High on adventure and incident, Ray Mears follows in the footsteps of the explorers who first entered Canada’s tough and unforgiving environments. Part history, part survival guide, each episode sees Ray venture into a different area of Canada’s beautiful interior. A BBC Production.

The SAS is the most skilled; experienced; and feared crack fighting force in the world. But what does it take to survive once you make it into the SAS? Join former SAS Sergeant, Eddie Stone, as he reveals the covert techniques and rigorous training regimes that enable the recruits to survive even in the very toughest of combat situations. In SAS Survival Secrets the viewer will feel as if they are being trained by the Special Forces and encountering the harsh realities of life on the front line for real. Using a series of dramatic, stylised reconstruction scenarios, a team of hardened ex-SAS soldiers demonstrate the survival secrets that kept them alive when they served in the world’s most elite Special Forces Regiment. A BBC Production.

Tomb of a 1 000 Roman Skeletons tells the remarkable story of the discovery in 2006 of more than 1 000 ancient skeletons in an unknown tomb only feet away from one of Rome's largest catacombs. The skeletons, mostly women and children, were mysteriously stacked on top of each other. Well dressed and preserved, they appeared to have passed away around the same time. Who were these ancient people; how did they die; and why were they collectively buried and stacked within this secret burial chamber? This film follows a team of experts as they open a full archaeological and biological mystery the likes of which Rome has rarely seen. A Lion Television/Brave New Media Production.

Cleopatra: Portrait of a Killer is a tale of sibling rivalry; of lust; murder; and power that destroyed an empire: an incredible true story about one of history’s greatest legends, and a fight to the death with her sister that no Hollywood fiction could hope to match. Through taut, stylish drama, and fascinating investigative documentary, this film reveals the darker side of love and power in the ancient world. Based on exclusive access to the archaeologists and the skeleton – this is a remarkable chance to explore afresh one of the world’s greatest characters. A Lion Television/Brave New Media Production.

BBC Lifestyle welcomes back style guru, Gok Wan, for a brand new fifth series of How To Look Good Naked. In this series, Gok continues his mission to persuade us to love our bodies, with a few new strings added to his bow. His 'Gok Pod' pops up in different locations around the UK, and is a place for members of the public to talk about how they feel about their bodies. And this time the show is deliberately inclusive, making a point of covering subjects with a whole range of ages, from teenagers to grandparents and every decade in between. A Maverick Television production.

Newcomer Valentine Warner is an advocate for seasonal eating and shows viewers how in his latest series, What To Eat Now: Summer. Valentine serves up a number of must-try dishes, teaching viewers how to cook everything perfectly, from broad beans to trout, and cherries to asparagus. He also leaves no stone unturned as he teaches all there is to know about every fruit; meat; and fish that make up the taste of summer - not just how to cook them, but where and when to buy them. Val’s enthusiasm for seasonal eating is infectious, as he shows viewers exactly how and why foods appear at certain times, and because it’s seasonal, it’s also great value for money. Produced by Optomen TV.

Britain’s favourite girl-next-door, Coleen McLoughlin (wife of Manchester United footballer, Wayne Rooney) has been set the challenge of a lifetime; to find naturally beautiful women to be the face of eight major brands in her brand new series, Coleen’s Real Women. At the beginning of each show, Coleen is given a brief from the brand. She then sets out on a scouting mission and holds open castings to find girls she thinks will not only fit the brief but could win the campaign over and above professional models. Will Coleen be successful in her quest to get 'real women' into advertising? Coleen’s Real Women is an Initial Production.

Multi-Michelin-starred chef, Gordon Ramsay, takes his no-nonsense restaurant rescue show, Ramsay’s Kitchen Nightmares USA, to America for a second series, hoping that his unique brand of tough love will help failing eateries to turn their fortunes around. The businesses in this series know they are in trouble, but the intensity of Gordon’s scorchingly honest approach is often not the easiest medicine to take. Restaurants featured in this series include Giuseppi’s in Michigan, where a tempestuous father-son relationship causes uproar, and J Willy’s Bar and Grill in Indiana, where one poor customer is driven to tears by their dining experience. Produced by Optomen TV.

Dr Christian Jessen and Anna Richardson return for a second run of the diet magazine show, Supersize vs. Superskinny, which tackles the UK's dysfunctional relationship with food. Amongst others, the series features a superskinny dad who lives on chocolate as he swaps diets with a supersizer twice his weight. Elsewhere, a wannabe model hopes to regain some womanly curves to help launch her career as her diet partner struggles to lose weight so she can fit into her dream wedding dress. Produced by Endemol UK.

Ty Pennington and his design team continue to make more deserving families’ dreams come true in series six of Extreme Makeover: Home Edition. Racing against time on projects that would usually take months, the team manage to cram everything into just seven days. Participants include Susan DeVries of Michigan, who refuses to allow her life-threatening arrhythmia to prevent her from being a loving music teacher; band director; first grade reading specialist; and even a bus driver for her school’s evening route. This heartwarming series gives viewers not only the opportunity to see the unbelievable transformations of people’s houses, but also the life-changing impact they have on the families involved. An Endemol production.

Eccentric chocolatier, Willie Harcourt-Cooze, is back, continuing his mission to produce the finest chocolate in the world, and to convert the public to eating the best quality confectionery in Raising the Bar: Willie’s Chocolate Revolution. Having successfully set up his 'wonky' chocolate factory in Devon, Willie is about to take on the big boys of the chocolate world and compete directly with confectionery giants, setting his sights on developing his own chocolate bar. Can one individual, no matter how passionate, really hope to take on the chocolate giants and win? Produced by Liberty Bell.

BBC Lifestyle celebrates Christmas by serving up yuletide premieres, including Willie’s Perfect Chocolate Christmas, a seasonal special from Willie Harcourt-Cooze. Willie takes care of the menu for the holiday season, preparing a series of mouth-watering chocolate-themed recipes, both sweet and savoury. Expect boozy chocolate mince pies; a classic chocolate tart; and an entire lamb cooked rather adventurously underground. He also suggests a rather unusual stuffing for the turkey on the big day - made from chestnuts; pancetta; and of course Willie’s favourite ingredient, chocolate. Produced by Liberty Bell.

The second festive offering is Gordon Ramsay’s Christmas Cookalong Live. In this cooking masterclass, Gordon Ramsay takes on the challenge of leading a nation through the preparation of a sumptuous Christmas feast. Filmed live, and with cameras in the kitchens of volunteer families across the UK, Gordon attempts to coordinate an extraordinary culinary feat. On the menu are a seasonal chestnut soup; chicken fricassee with bread sauce; and pan-fired sprouts, and there’s a Christmas trifle to finish. Sounds delicious, but will the cookalong chefs manage to replicate Gordon’s creations at home? Produced by Optomen TV.

For little learners CBeebies has summer covered with top telly treats. Nuzzle and Scratch are two alpacas, and they are the two most incompetent employees of Two by Two - a job agency for animals. The agency is run by The Boss, a diminutive nine year old powerhouse who models herself on Sir Alan Sugar, the British business tycoon and star of The Apprentice. In each episode she is called upon to supply various animals for various jobs. However, the only animals available are the two happily underachieving alpacas, Nuzzle and Scratch. The jobs they find themselves trying to do (albeit unsuccessfully) include school caretakers; librarian assistants; sports teachers; hotel employees; cinema employees; rugby coaches; window cleaners; laundry assistants; park keepers; hairdressers; and Scout leaders. A BBC production.

From the creator of the phenomenally successful The Wonder Pets come brand new episodes of 3rd and Bird, a beautifully unique animated series for three- to five-year-olds packed with entertaining stories; songs; and adorable characters. Nestled in the canopy of a beautiful old tree are a row of birdhouses of all different shapes and sizes, where Samuel Lovebird lives. With his best friend Rudy and his cute little sister Muffin, Samuel embarks on a series of colourful adventures. These entertaining stories help young children explore their world, develop an understanding of community and gain valuable social skills. 3rd and Bird is A Little Airplane Production.

The Large Family is a family just like any other; there’s just one difference… this family have trunks. These unpredictable appendages make for even more funny incidents in the second series, and make their everyday adventures a bit more muddled than normal. Some of the stories include the whole family competing in a talent competition (The E-Factor); the efforts Laura makes to keep up with her new best friend’s popularity; and little Luke’s battle to conquer his fears of staying away from home for the first time. As with us humans, the Large Family’s problems may appear to be massive, but are often easily solved, even if they make the odd elephant- sized mistake along the way. A Coolabi/Go-N Productions/Luxanimation/DQ co-production.

CBeebies favourites, Charlie and Lola, return for a Christmas special. The siblings are extremely excited because Christmas is coming, and they take it in turns to open the advent calendar. After 24 days of hiccups and happy preparations, Christmas carolling and making things, everything looks set for the perfect Christmas… until Lola discovers that there is no door in the calendar for Christmas Day. Christmas has completely disappeared and definitely is not going to happen. Desperate to find out what is going on, Charlie and Lola scramble inside the advent calendar and confirm their worst fears. Christmas has indeed ground to a halt. Father Christmas’s helpers, the Elves, have run out of wrapping paper. It’s a total disaster. Or is it? Charlie and Lola is a Tiger Aspect production.


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To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image

The ‘to Photoshop or not to Photoshop’ debate was raging on Carte Blanche last weekend. In this light, new digital magazine, COUP, has a strong ‘we do not digitally manipulate’ policy. On the other hand, most magazines do enhance aspects of the photos they use – particularly those on the front cover.


To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image
By Leigh Andrews

While the red eye reduction tool certainly has its benefits, it’s seen as ‘not cool’ to go so far as to erase stretch marks and recontour the body shape. Certain celebs have been known to kick up a fuss if this happens, such as Kate Winslet, who is not a fan of ‘excessive retouching’, and claims that the cover of GQ was altered to such an extent that it reduced the size of her legs by half.

The issue was highlighted again when Hotel Rwanda actress and poet, Lebo Mashile, complained that the November 2009 issue of True Love Photoshopped her ‘to look thinner.’ All fair and well to digitally enhance photos for aesthetic qualities, such as improving the quality of light in the photo, particularly those appearing in print titles, but where do we draw the line with Photoshopping?

In Carte Blanche on 22 August, Carol Albertyn Christie produced a segment presented by Annika Larsen on Photoshopping. This brought to light the issue of whether the beauty standards set by excessively airbrushed photos are realistic or not – considering that even Penelope Cruz, the woman with the most ‘symmetrical’ face, has her photos retouched before they appear in publications. In digitally manipulating these images, are we saying that the clothes only look good on created females or mannequins? Or that even supermodels don’t have lashes long enough to meet the standard the mascara brands are setting - so much so that they add in false lashes to create the illusion of the perfect set of cheek grazers?

Mashile explained on Carte Blanche that she is passionate about the topic of accurate female representation in the media and public space, and that she is comfortable in her own body – this is why she took offense – while the photo in the feature article ‘still looked like her’, the cover image made her look considerably thinner than she really is. There are some people out there who go to drastic lengths to ‘attain perfection’, with cosmetic surgery; tooth whitening; and rib removal for a smaller waist, but most of us are more than happy to load the snaps we take with a digital camera straight onto Facebook, without stopping to ‘touch up’ our look with an image editing program – it’s about capturing the moment, not the actual look. The recent Dove 'Self-Esteem Trust campaign highlighted by local advertising guru, Andy Rice, draws on this element – a plain-looking girl, with short hair and no make-up, being primped for a photo shoot – with hair extensions; extensive make-up; and a great deal of ‘Photoshopping’ to lengthen her neck and create a sharper image, before finally appearing on an advertising billboard. The ad then encourages watchers to join the ‘Campaign for Real Beauty’. The message of the campaign - to not make us feel pale in comparison - comes across strongly.

In this regard, Jessica Simpson is surprisingly one of the celebs who agreed to have herself photographed ‘without a stitch of make-up or retouching’ on the May cover of Marie Claire magazine. She is quoted as saying: "I don't have anything to prove anymore… What other people think of me is not my business.

This might be taking things a little too far on the other end of the spectrum, as when we want to look great in a photo, we will take the time to look good beforehand – on that note, Mashile also pointed out that there’s considerable ‘pre-image manipulation’ that goes on in a photo shoot before the photo is even taken, as make-up is placed on stretch marks and blemishes, and lighting is strategically placed to enhance certain features.

Artwell Nwaila, Creative Editor of COUP and Newsclip’s Publishing Division, is anti-air brushing as a whole, as he feels it takes away from the art of true photography. “Besides the fact that airbrushing makes one look ‘plastic’, airbrushing sets an unrealistic bar for the reader to reach physically. It is correct to assume that consumers expect airbrushed models on their publications, and yes, they do sell, but photographers and designers need to find the line between removing spinach from your teeth and completely overhauling a face.”

Nwaila adds that in the early years of Rolling Stone magazine, beautiful raw images set the trend for magazine covers – we now live in a society where ‘perfect’ is the bar. He adds, “If the photographer is any good, there should not be need for major ‘photo plastic surgery’. Maybe that’s where the problem starts…”

What are your feelings on this topic? Do you agree that air brushing sets unrealistic expectations, or is it just part of ‘the nature of photography’? Please share your thoughts on our blog.

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’Every sector is regulated – why shouldn’t the media be?’ Media freedom debate rages on

On Monday, 23 August, the University of Johannesburg hosted a public debate around the issue of the raging media freedom dispute. Chaired by Professor Adam Habib, the panel speakers included AVUSA’s Mondli Makhanya; media freedom expert from the Freedom of Expression Institute, Raymond Louw; and then-Parliamentary speaker and -Deputy President, Baleka Mbete.


By Desi Tzoneva

Habib began by highlighting that the University was hosting this gathering because of the importance placed on establishing a university that is engaged with society. “One way to do this is to ensure that we create platforms to deliberate issues for the society.”

Over the past few weeks, the Protection of Information Bill has been an important topic that has caused much controversy and has seen many getting involved and expressing concerns, said Habib, who added that the debate has sparked a number of events where many government figures are engaging with the issue, and one where representatives from foreign countries have expressed concern, making this “an opportunity to bring together the role players.”

AVUSA’s Mondli Makhanya opened the debate by stating that the level of press freedom has been a great source of pride for the country since the onset of democracy, and that this freedom of press extends to more than the press as it enables an entire society to be free. While many countries only achieve this after centuries, South Africa has done so in a short period of time, “something we should entrench.” Makhanya also advised that South Africans should push to be ‘more open’, as this is a reflection of prosperous societies.

“We shouldn’t want to lose this status… or be a country that limits freedoms such as the freedom of the media and freedom of expression,” he said.

“When media speaks out in defence of a free media, we’re not talking about our jobs but about the society we live in. Our jobs are to inform accurately; to let our society be open and robust; be open to debate; and help it define itself. We want to tell our stories freely and be a balanced and accurate press,” he stated.

Makhanya highlighted the ‘unnecessary acrimony’ and ‘bitter debate’, which has seen much said but ‘people talking past each other’. “We’ve moved from one extreme to another, where, as a result, we now debate our very democracy.”

Makhanya said that journalists; the media; and civil society has been accused of reacting hysterically to the recent Protection of Information Bill, despite its perception as “the most draconian piece of legislation we’ve encountered.”

“We, as the media, believe the government has rights to handle secrets for the security of a society, but this has to be done within a transparent system of classifying documents and a classification regime that is predictable.” The current Bill before parliament, he said, enables the classification of ‘virtually everything’ by bureaucrats at local and municipal levels; at parastatals; and at senior levels of government, without giving reasons.

He said this is ‘eerie’, as organisations such as COSATU have criticised the Bill due to fears that the increased power of parastatal executives may mean they could be criminalised for speaking about general issues with trade union members. The broadness is a problem, Makhanya added, mentioning the problem of the definition of ‘national interest’, which needs much clarification in order to take into account the public interest. “The document turns us into a secretive society where anyone can hide corrupt; wrong; or incompetent things,” and because of this, “Our society should err on the side of openness.”

He commented that the opposition to the Bill was not because the media does not want to be accountable or regulated - “we’re not above the law,” he said, but rather because the media believes that the current system of the Press Ombudsman and the Press Council is effective in holding the print media accountable. “Accusations that these institutions don’t have ‘teeth’, is not the case.”

The office of the Press Ombudsman is powerful and not biased towards the media, often making harsh judgements against it. Its rulings are obeyed without fail, and a sanction of apology is one of the strongest forms of punishment print media can get. This is why the media is also opposed to proposals of fining and imprisoning journalists.

“If the office is weak, we can strengthen it by asking the public to make suggestions and by meeting with the ruling party, but we’re very opposed to statutory regulations,” Makhanya stated, adding that any mechanisms put in place about media freedom are “not about today,” but rather about what is left behind for future generations.

Baleka Mbete spoke next and agreed with Makhanya that the recent debate has been unnecessary, “because we’re dealing with matters where it sounds like one side is trying to silence the other.” This, she said, is not the case. “We’re open and transparent. We want people to express different views, and, from this process, to come with a final product from various views on the table.”

She began by discussing the government’s stance on the Protection of Information Bill, and highlighted that this is legislation that any state needs. “Any government has, and must have, secrets, and it needs to regulate how information is classified and what is restricted.” Currently, South Africa is regulated by the 1982 Protection of Information Act, which was the regulating system for the apartheid state and was used against the press by the then ruling party, but this legislation, she said, is ‘outdated’.

“Contrary to what is assumed, the new Bill is not directed at the media but on how to classify; who should classify; on what basis; with what penalties being meted out for which offences,” she stated.

“The reality is that in 16 years of democracy, we’ve experienced some problems of information peddling… and increasing threats of espionage with specific departments earmarked.” The Bill, she said, is a clear intention by the government “to say we have order and a system that says how information is classified.” This legislation needs to improve on the 1980s Act because there are some private intelligence community bodies that need proper identification. “The Bill is about protecting citizens.”

Mbete moved to a discussion of the proposed Media Appeals Tribunal (MAT), and stated that although media freedom is protected, the freedom of expression should not be elevated above rights such as privacy and dignity. The MAT, she stated, would serve to strengthen the current self-regulatory institutions. It is envisioned that the Tribunal would be a statutory institution accountable to Parliament. “Every sector is regulated, why can’t the media be regulated?”

Other issues she identified included those of ownership; management; and operations. “Newspapers are businesses where owners call the shots and [have] policies according to which poor journalists need to write.”

The self-regulating system, she said, takes too long to make its rulings, causing damage to complainants who may have to wait months for an apology or vindication. “[The media thinks it is] a certain category of human beings whose rights can’t be trampled on. This system is not on it as it doesn’t look at the rights of individuals,” concluded Mbete.

Raymond Louw from the Freedom of Expression Institute again highlighted that when discussing media freedom, this does not only affect journalists – it affects everyone. “An attack on journalists means that the freedom of everyone is attacked.”

Louw highlighted some concerns with the Protection of Information Bill. He said that the Bill was unclear in its methods for classification and decreasing its draconian provisions. He also criticised the poor ‘consultation’ on the Bill between Parliament and the media, and said that it was vital that cautionary statements in the initial Bill be re-included in the current one. “The person deciding to classify information is not going to be held back about the rights of the public.”

Louw also commented on the wide definition of the term ‘national interest’ – “it’s so wide it encompasses everything,” and explained that an example of information that will be classified in the future would be the state of morale in the defence force. “Opposition and MPs are challenging the current minister on this issue, but if the bill is put in place, no-one would be able to do so.”

The current Bill is worse than the 1980s Act because it concentrates on the need to preserve secrecy on issues of national security. The previous Act does not refer to the national interest but to other interests which were never spelt out. The current Bill, however, does so.

Louw also highlighted that opposition to the Bill has not only come from media but also from institutions such as the Freedom of Expression Institute and civil society, with the most impressive opposition being from the Law Society of South Africa – a body representing 20 000 advocates and lawyers, who oppose the Bill on Constitutional grounds. COSATU, too, has opposed the Bill alongside other parliament members.

Louw stated that the question of punishing the media has been in existence before the formation of the office of the Press Ombudsman in 1995 as a result of the National Party (NP) government seeking visible forms of punishment. This was driven by a case where a person suffered at the hands of the media, but it was later found that the complainant had lied and the question of the fine already paid by the media had to be decided. Fines are inappropriate, said Louw, and added that in a survey of press councils in the world, 86% adhere to the system South Africa currently follows. The reason he cited is that punishment through fines or imprisonment “would contravene the freedom of expression in the Constitution and place media in a different category to ordinary citizens. It would contravene the freedom of expression clause.”

He ended by recommending that the Bill be withdrawn; rephrased; and redrafted after consultation.

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The Magaliesberger (monitored)
The Magaliesberger is a new monthly full colour tabloid size community newspaper distributed free of charge every month. The first edition was launched at the end February. The paper consists of a wide variety of topics of interest which can be enjoyed by the whole family. Home deliveries an...
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Architechnology
Architechnology ’s is a publication that is focused on architects and architectural technologists. The articles are written by a team of qualified and professionally-registered architects and landscape architects. Each edition contains a series of in-depth, researched articles on trend-setting pro...
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The Specialist Forum (Monitored)
(Service: Medical Doctors & Staff) This is a monthly journal that comes out 11 months a year, leaving out December. The content is determined by a large editorial board, consisting of experts in the content they provide. The publication prides itself in being proudly South Africa, publishing only l...
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Algoa Sun (monitored)
Algoa Sun is Port Elizabeth’s award-winning A3 sized free-sheet, with a weekly distribution of 76 154. The paper covers a variety of topics with a strong focus on people, local events and local issues. The suburban footprint ensures that all parts of the metro are covered, and because of the lar...
Soccer Week (monitored)
Soccer Week , a new weekly tabloid football paper, was launched on 22 June. It will focus on English, European and local football. With the FIFA Confederation Cup and the FIFA World Cup being held in South Africa in 2010, Soccer Week will bring fans all the analyses of the key games; the latest n...
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Moletjie Progressive Community Radio
Moletjie Community Radio (98.6 MHz) is a community broadcaster that holds a four-year broadcasting licence, within a 60-km radius of its broadcast area. Its programmes focus on a range of areas that affect its community. These range from developmental; educational; economic; cultural; health; and ...
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GQ (Monitored)
(Lifestyle: Relationships & Sex) This is a magazine targeted at the sophisticated South African man, who has both the ambition and spending power to go with it. GQ appeals to those people through intelligent and entertaining editorial content that focuses on the lifestyles they are interested it....
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Hellopeter.com
This website is a one-of-a-kind in its class: it provides people with a public forum to write about their customer services experiences. What is unique about this service is that registered companies (currently there are 180 of them) respond to client complaints on-line. Once the users have submit...
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Bedfordview Edenvale News (Monitored)
(Community: Community Affairs) The Bedfordview Edenvale News has a print order of 41 050. It is distributed freely every Thursday to residents in Bedford Gardens, Bedfordview, Dowerglen, Dunvegan, Edenglen, Essexwold, Glendower, Highway Gardens, Meadowbrook, Modderfontein, Morninghill, Thornhill ...
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Imbokodo Community Radio (Not monitored)
Imbokodo Community Radio targets listeners from all ages, broadcasting in Zulu with a 30% music and 70% talk format. The station addresses factors such as health; business; current affairs; agriculture; youth; sport; and culture. Imbokodo can be heard on 96.8 FM and it reaches the areas of Gre...
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Aesthetic Surgery (Not Monitored)
Aesthetic Surgery is an upmarket, niche consumer magazine focusing on cosmetic surgery; glamour; and beauty – as well as reporting on health and medical issues. The publication is sold in over 500 retail outlets (including all major airports); and is found in over 1 000 doctors rooms, spas, lodges...
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SA Guides to Internet Business
This guide contains everything an entrepreneur should know about doing anything on the web. Editorial content covers all the latest trends and technologies necessary to establish a profitable on-line business. Authoritative in-depth articles covering affiliate programs, search engine optimisatio...
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Fleet (Monitored)
Fleet is delivered to its readers and it provides in-depth information on the costs of buying; leasing; renting; insuring; and operating passenger cars; light commercial vehicles; and medium commercial vehicles. Fleet also provides information regarding all new models in Europe; America; and t...
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people talk magazine
people talk magazine is Nelson Mandela Bay’s Family Lifestyle Magazine published by people talk publishing. Launched in 2005, the magazine is published quarterly in syncronisation with the annual seasons. It is widely acknowledged for its original, fresh approach to journalism, as well as the natu...
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Fit Pregnancy (Monitored)
(Lifestyle: Parenting and Family) Fit Pregnancy was an annual supplement in Shape magazine, until October 2004 when the magazine made the bold move to publish as a stand-alone publication in a joint venture between Touchline Media and Weider Publications. The magazine targets the upper LSMs...
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Standard Bank is popping-up an effective campaign

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