Loading Adverts...
Loading Adverts...
COUP launch

Follow our RSS feed
Banner
Bookmark and Share print mail permalink
Home

EntertainmentAfrikaaps to take Cape Town by storm

Published: 18 March 2010

Straight from its world premiere at the Klein Karoo National Arts Festival (KKNK) in Oudtshoorn, the cutting-edge hiphopera Afrikaaps is coming to the Baxter Theatre. It will be playing from 7 to 23 April at 20:00 nightly.


Straight from its world premiere at the Klein Karoo National Arts Festival (KKNK) in Oudtshoorn, the cutting-edge hiphopera Afrikaaps is coming to the Baxter Theatre. It will be playing from 7 to 23 April at 20:00 nightly.

Director, Catherine Henegan, has assembled a formidable ensemble of young guns and an equally impressive creative team to help trace the origins of Afrikaans all the way back to the 1600s and follow its evolution through to the present day.

The line-up features hip-hop poet, performer and musician, Jitsvinger; composer, pianist and jazz prodigy, Kyle Shepherd; singer and poet, Blaq Pearl; hip-hop artist and activist, Emile Jansen; bassist and musician, Shane Cooper; singer, actor and dancer, Moenier Adams; rapper and break-dancer, Bliksemstraal; and poet and storyteller, Jethro Louw of the Khoi Khonnexion.

Set in a dynamic digital landscape, the ensemble, Die Argitekbekke, represents an eclectic fusion of musical genres. In true hip-hop mode this musical theatre piece employs glitches; scratches; beats; and rhymes to traverse time, while also referencing the multiplicity of traditional Cape styles like Ghoema and Kaapse Klopse.

South African-born Henegan once again teams up with film maker; director; poet; novelist; musician; and blogger, Aryan Kaganof, who takes on the role of dramaturg for this production. The two last worked together in South Africa on The Shooting Gallery, which was presented at The Market Theatre and at the National Arts Festival, Grahamstown. Documentary film maker, Dylan Valley, is responsible for the video and for documenting the process with lighting by top international lighting designer, Jantje Geldof.

Afrikaaps is an international collaboration between the Baxter Theatre Centre and The Glasshouse Theatre Collective in Amsterdam, in association with ABSA KKNK, with additional support from the Performing Arts Fund of Netherlands; City of Amsterdam; and Theatre Institute of the Netherlands.

Henegan is Co-founder of The Glasshouse, a multi-disciplinary theatre collective based in Amsterdam. She made her debut as a director in South Africa in 2006 with the controversial media performance of The Shooting Gallery about a war photographer with a moral dilemma.

“With this collaboration I am excited to be bringing together artists from different disciplines made up of musicians; performers; and film makers for this theatrical event,” says Henegan.

This theatre production is part of a bigger movement of efforts to reclaim the Afrikaans language for all who speak it. There is a side to the language - the Creole birth of the language - that has been overlooked in South Africa’s collective consciousness. The role of indigenous cultures and the slave population in forging the language has generally been excluded from the history books. The Afrikaans hip-hop movement in the Cape, through voices like Jitsvinger; Blaq Pearl; and Emile Jansen, is fueled by celebrating and reclaiming indigenous cultural heritage, and defining and re-defining who the Afrikaners of the 21st century are.

The makers of Afrikaaps set out on a mission of investigation and redefinition combining storytelling; poetry; music; and video to trace the evolution and roots of Afrikaans. As Dylan Valley, who is making the video component of the production, has pointed out, “We need to recognise Afrikaans as part of the heritage of all South Africans, and not only of one particular racial group. Together we can make Afrikaans a language of liberation! ”

Afrikaaps runs at the Klein Karoo National Arts Festival from 1 to 4 April and then transfers to the Baxter Theatre in Cape Town for a short season from 7 to 23 April at 20:00 nightly. Booking is through Computicket on 083 915 8000; online at www.computicket.co.za; or at any Shoprite Checkers outlet countrywide.

For discounted block, schools or corporate bookings; charities; and fundraisers, contact Sharon on 021 680 3962 and Carmen on 021 680 3993, during office hours.

Next story in Entertainment:Katia Guerreiro for one night only  →
print mail permalink

To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image

The ‘to Photoshop or not to Photoshop’ debate was raging on Carte Blanche last weekend. In this light, new digital magazine, COUP, has a strong ‘we do not digitally manipulate’ policy. On the other hand, most magazines do enhance aspects of the photos they use – particularly those on the front cover.


To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image
By Leigh Andrews

While the red eye reduction tool certainly has its benefits, it’s seen as ‘not cool’ to go so far as to erase stretch marks and recontour the body shape. Certain celebs have been known to kick up a fuss if this happens, such as Kate Winslet, who is not a fan of ‘excessive retouching’, and claims that the cover of GQ was altered to such an extent that it reduced the size of her legs by half.

The issue was highlighted again when Hotel Rwanda actress and poet, Lebo Mashile, complained that the November 2009 issue of True Love Photoshopped her ‘to look thinner.’ All fair and well to digitally enhance photos for aesthetic qualities, such as improving the quality of light in the photo, particularly those appearing in print titles, but where do we draw the line with Photoshopping?

In Carte Blanche on 22 August, Carol Albertyn Christie produced a segment presented by Annika Larsen on Photoshopping. This brought to light the issue of whether the beauty standards set by excessively airbrushed photos are realistic or not – considering that even Penelope Cruz, the woman with the most ‘symmetrical’ face, has her photos retouched before they appear in publications. In digitally manipulating these images, are we saying that the clothes only look good on created females or mannequins? Or that even supermodels don’t have lashes long enough to meet the standard the mascara brands are setting - so much so that they add in false lashes to create the illusion of the perfect set of cheek grazers?

Mashile explained on Carte Blanche that she is passionate about the topic of accurate female representation in the media and public space, and that she is comfortable in her own body – this is why she took offense – while the photo in the feature article ‘still looked like her’, the cover image made her look considerably thinner than she really is. There are some people out there who go to drastic lengths to ‘attain perfection’, with cosmetic surgery; tooth whitening; and rib removal for a smaller waist, but most of us are more than happy to load the snaps we take with a digital camera straight onto Facebook, without stopping to ‘touch up’ our look with an image editing program – it’s about capturing the moment, not the actual look. The recent Dove 'Self-Esteem Trust campaign highlighted by local advertising guru, Andy Rice, draws on this element – a plain-looking girl, with short hair and no make-up, being primped for a photo shoot – with hair extensions; extensive make-up; and a great deal of ‘Photoshopping’ to lengthen her neck and create a sharper image, before finally appearing on an advertising billboard. The ad then encourages watchers to join the ‘Campaign for Real Beauty’. The message of the campaign - to not make us feel pale in comparison - comes across strongly.

In this regard, Jessica Simpson is surprisingly one of the celebs who agreed to have herself photographed ‘without a stitch of make-up or retouching’ on the May cover of Marie Claire magazine. She is quoted as saying: "I don't have anything to prove anymore… What other people think of me is not my business.

This might be taking things a little too far on the other end of the spectrum, as when we want to look great in a photo, we will take the time to look good beforehand – on that note, Mashile also pointed out that there’s considerable ‘pre-image manipulation’ that goes on in a photo shoot before the photo is even taken, as make-up is placed on stretch marks and blemishes, and lighting is strategically placed to enhance certain features.

Artwell Nwaila, Creative Editor of COUP and Newsclip’s Publishing Division, is anti-air brushing as a whole, as he feels it takes away from the art of true photography. “Besides the fact that airbrushing makes one look ‘plastic’, airbrushing sets an unrealistic bar for the reader to reach physically. It is correct to assume that consumers expect airbrushed models on their publications, and yes, they do sell, but photographers and designers need to find the line between removing spinach from your teeth and completely overhauling a face.”

Nwaila adds that in the early years of Rolling Stone magazine, beautiful raw images set the trend for magazine covers – we now live in a society where ‘perfect’ is the bar. He adds, “If the photographer is any good, there should not be need for major ‘photo plastic surgery’. Maybe that’s where the problem starts…”

What are your feelings on this topic? Do you agree that air brushing sets unrealistic expectations, or is it just part of ‘the nature of photography’? Please share your thoughts on our blog.

View all
print mail permalink

’Every sector is regulated – why shouldn’t the media be?’ Media freedom debate rages on

On Monday, 23 August, the University of Johannesburg hosted a public debate around the issue of the raging media freedom dispute. Chaired by Professor Adam Habib, the panel speakers included AVUSA’s Mondli Makhanya; media freedom expert from the Freedom of Expression Institute, Raymond Louw; and then-Parliamentary speaker and -Deputy President, Baleka Mbete.


By Desi Tzoneva

Habib began by highlighting that the University was hosting this gathering because of the importance placed on establishing a university that is engaged with society. “One way to do this is to ensure that we create platforms to deliberate issues for the society.”

Over the past few weeks, the Protection of Information Bill has been an important topic that has caused much controversy and has seen many getting involved and expressing concerns, said Habib, who added that the debate has sparked a number of events where many government figures are engaging with the issue, and one where representatives from foreign countries have expressed concern, making this “an opportunity to bring together the role players.”

AVUSA’s Mondli Makhanya opened the debate by stating that the level of press freedom has been a great source of pride for the country since the onset of democracy, and that this freedom of press extends to more than the press as it enables an entire society to be free. While many countries only achieve this after centuries, South Africa has done so in a short period of time, “something we should entrench.” Makhanya also advised that South Africans should push to be ‘more open’, as this is a reflection of prosperous societies.

“We shouldn’t want to lose this status… or be a country that limits freedoms such as the freedom of the media and freedom of expression,” he said.

“When media speaks out in defence of a free media, we’re not talking about our jobs but about the society we live in. Our jobs are to inform accurately; to let our society be open and robust; be open to debate; and help it define itself. We want to tell our stories freely and be a balanced and accurate press,” he stated.

Makhanya highlighted the ‘unnecessary acrimony’ and ‘bitter debate’, which has seen much said but ‘people talking past each other’. “We’ve moved from one extreme to another, where, as a result, we now debate our very democracy.”

Makhanya said that journalists; the media; and civil society has been accused of reacting hysterically to the recent Protection of Information Bill, despite its perception as “the most draconian piece of legislation we’ve encountered.”

“We, as the media, believe the government has rights to handle secrets for the security of a society, but this has to be done within a transparent system of classifying documents and a classification regime that is predictable.” The current Bill before parliament, he said, enables the classification of ‘virtually everything’ by bureaucrats at local and municipal levels; at parastatals; and at senior levels of government, without giving reasons.

He said this is ‘eerie’, as organisations such as COSATU have criticised the Bill due to fears that the increased power of parastatal executives may mean they could be criminalised for speaking about general issues with trade union members. The broadness is a problem, Makhanya added, mentioning the problem of the definition of ‘national interest’, which needs much clarification in order to take into account the public interest. “The document turns us into a secretive society where anyone can hide corrupt; wrong; or incompetent things,” and because of this, “Our society should err on the side of openness.”

He commented that the opposition to the Bill was not because the media does not want to be accountable or regulated - “we’re not above the law,” he said, but rather because the media believes that the current system of the Press Ombudsman and the Press Council is effective in holding the print media accountable. “Accusations that these institutions don’t have ‘teeth’, is not the case.”

The office of the Press Ombudsman is powerful and not biased towards the media, often making harsh judgements against it. Its rulings are obeyed without fail, and a sanction of apology is one of the strongest forms of punishment print media can get. This is why the media is also opposed to proposals of fining and imprisoning journalists.

“If the office is weak, we can strengthen it by asking the public to make suggestions and by meeting with the ruling party, but we’re very opposed to statutory regulations,” Makhanya stated, adding that any mechanisms put in place about media freedom are “not about today,” but rather about what is left behind for future generations.

Baleka Mbete spoke next and agreed with Makhanya that the recent debate has been unnecessary, “because we’re dealing with matters where it sounds like one side is trying to silence the other.” This, she said, is not the case. “We’re open and transparent. We want people to express different views, and, from this process, to come with a final product from various views on the table.”

She began by discussing the government’s stance on the Protection of Information Bill, and highlighted that this is legislation that any state needs. “Any government has, and must have, secrets, and it needs to regulate how information is classified and what is restricted.” Currently, South Africa is regulated by the 1982 Protection of Information Act, which was the regulating system for the apartheid state and was used against the press by the then ruling party, but this legislation, she said, is ‘outdated’.

“Contrary to what is assumed, the new Bill is not directed at the media but on how to classify; who should classify; on what basis; with what penalties being meted out for which offences,” she stated.

“The reality is that in 16 years of democracy, we’ve experienced some problems of information peddling… and increasing threats of espionage with specific departments earmarked.” The Bill, she said, is a clear intention by the government “to say we have order and a system that says how information is classified.” This legislation needs to improve on the 1980s Act because there are some private intelligence community bodies that need proper identification. “The Bill is about protecting citizens.”

Mbete moved to a discussion of the proposed Media Appeals Tribunal (MAT), and stated that although media freedom is protected, the freedom of expression should not be elevated above rights such as privacy and dignity. The MAT, she stated, would serve to strengthen the current self-regulatory institutions. It is envisioned that the Tribunal would be a statutory institution accountable to Parliament. “Every sector is regulated, why can’t the media be regulated?”

Other issues she identified included those of ownership; management; and operations. “Newspapers are businesses where owners call the shots and [have] policies according to which poor journalists need to write.”

The self-regulating system, she said, takes too long to make its rulings, causing damage to complainants who may have to wait months for an apology or vindication. “[The media thinks it is] a certain category of human beings whose rights can’t be trampled on. This system is not on it as it doesn’t look at the rights of individuals,” concluded Mbete.

Raymond Louw from the Freedom of Expression Institute again highlighted that when discussing media freedom, this does not only affect journalists – it affects everyone. “An attack on journalists means that the freedom of everyone is attacked.”

Louw highlighted some concerns with the Protection of Information Bill. He said that the Bill was unclear in its methods for classification and decreasing its draconian provisions. He also criticised the poor ‘consultation’ on the Bill between Parliament and the media, and said that it was vital that cautionary statements in the initial Bill be re-included in the current one. “The person deciding to classify information is not going to be held back about the rights of the public.”

Louw also commented on the wide definition of the term ‘national interest’ – “it’s so wide it encompasses everything,” and explained that an example of information that will be classified in the future would be the state of morale in the defence force. “Opposition and MPs are challenging the current minister on this issue, but if the bill is put in place, no-one would be able to do so.”

The current Bill is worse than the 1980s Act because it concentrates on the need to preserve secrecy on issues of national security. The previous Act does not refer to the national interest but to other interests which were never spelt out. The current Bill, however, does so.

Louw also highlighted that opposition to the Bill has not only come from media but also from institutions such as the Freedom of Expression Institute and civil society, with the most impressive opposition being from the Law Society of South Africa – a body representing 20 000 advocates and lawyers, who oppose the Bill on Constitutional grounds. COSATU, too, has opposed the Bill alongside other parliament members.

Louw stated that the question of punishing the media has been in existence before the formation of the office of the Press Ombudsman in 1995 as a result of the National Party (NP) government seeking visible forms of punishment. This was driven by a case where a person suffered at the hands of the media, but it was later found that the complainant had lied and the question of the fine already paid by the media had to be decided. Fines are inappropriate, said Louw, and added that in a survey of press councils in the world, 86% adhere to the system South Africa currently follows. The reason he cited is that punishment through fines or imprisonment “would contravene the freedom of expression in the Constitution and place media in a different category to ordinary citizens. It would contravene the freedom of expression clause.”

He ended by recommending that the Bill be withdrawn; rephrased; and redrafted after consultation.

View all
Picture
The Tembisan
(Community: Community Affairs) The Tembisan was established as a community newspaper in 1990 to serve Tembisa, home to 1.5 million residents. It began distributing 30 000 copies a week for free. However, due to the huge demand and the fact that the publishers could not print the approximately 1...
Picture
The Profit Partnership (publisher profile)
By Kerry Ashdown The Profit Partnership, founded in 2000, began with the aim of bridging a gap in the market. By aiming to produce creative magazines and newsletters guided by a business strategy and aligned with publishing objectives, it has enabled companies to transform their news; succes...
Hambanathi (Monitored)
Launched in Durban on 31 May 2007, community newspaper Hambanathi was launched to inform and engage MetroRail customers. Hambanathi is distributed monthly free of charge in SARCC’s five regions namely Wits; Tshwane; Durban; and the Eastern and Western Cape. The publication compliments existing ...
Picture
Vaaltar FM (Not monitored)
Vaaltar FM can be heard in the areas of Stella; De La Rey; Taung; Vryburg; Schweitzer Reyneke; Christiana; Warrenton; and Hartswater. ts target audience ranges from 16 to 39 and it broadcasts 24/7. Vaaltar FM equally covers music and talk and its content includes sport; business; religion; touri...
Picture
Radio Riverside FM
Radio Riverside , which is the community station of Upington and the surrounding areas, was launched in October 1999. It broadcasts in Afrikaans; English; isiXhosa; and Setswana on the 98.2 FM frequency. For more information, contact Station Manager, Thabang Pusoyabona, by calling 054 331 3245 or ...
Picture
Alchemy Publishing (company profile)
Alchemy Publishing is South Africa’s leading publisher of parenting magazines. The company has invested in extensive research into the South African parenting market, which resulted in the Madonna report, published on their behalf by Markinor in 1996. This project gave valuable insight into the h...
Picture
Bush Radio (Monitored)
Bush Radio , which broadcasts on the 89.5 FM frequency, was officially formed in 1992, after two years of community consultations of all aspects of the radio station. The language mediums broadcast through are English; Afrikaans; and Xhosa and broadcast reaches the greater Cape Town Metropolitan ar...
Picture
QwaQwa Radio
QwaQwa Radio , which is broadcast on the 100.3 FM frequency, was established in October 2006 and has a reach in the Free State province which includes Qwa Qwa; Vrede; Bethlehem; Reitz; and Warden. It targets LSM segments three to six; all age groups; with both male and female listeners. The station...
Picture
IDentity (Monitored)
IDentity explores and explains identity management on its website as well as in a print version of the magazine, which is printed at six-monthly intervals and distributed as a supplement to Business Brief ; Entrepreneur ; FinWeek ; iWeek ; and The South African Property Review publications. ...
Radio West Coast (Not monitored)
Radio West Coast broadcasts on the 92.3 FM frequency to Bergrivier; Cedarberg; Swartland; Saldanha Bay; Darling; Yserfontein; Morreesburg; Aurora; Porterville and its surrounds. The station broadcasts to LSM segments six to eight aged 16 to over 50, 24-hours a day, seven-days a week, mainly in Afr...
Picture
25° in Africa (monitored)
Purposely tailored to meet both market and customer requirements, 25º in Africa , Africa’s independent energy publication is a quarterly publication dedicated to comprehensive coverage and meaningful reportage on all forms of energy and related environmental impacts, technological developments and...
Stellalander (Monitored)
(Community: Community Affairs) Stellalander is one of the oldest, if not the oldest regional weekly newspaper in South Africa. It was first published in 1888 and has survived the test of time under various publishers. Serving Vryburg and the surrounding communities of Bray, Pofadder, Stella, Ch...
Picture
Cool Stuff Guide
CAR and Popular Mechanics , two of the stalwarts in the RamsayMedia (formerly Ramsay, Son & Parker) magazine stable, have defied the year-end gloom with an upbeat December supplement titled Cool Stuff Guide . In an introduction to the 28-page supplement, published annually since 2005, readers a...
Picture
SA Cricketer (Monitored)
(Sport: Cricket) SA Cricket was first launched in 1994, and has since then established itself as South Africa's premier cricket magazine and voice on the South African cricket scene. With the significant growth in popularity in cricket, both within South Africa and globally, SA Cricket has be...
Picture
Siyanqoba (Beat It)
Bhisho-based CKI fm is on an Aids offensive with this new 30-minute broadcast, which is a radio version of a television HIV/Aids educational programme. Thobeka Buswana, the station's manager, says that “the station is repositioning itself… (and) since we're focusing on youth we had to have focused...
More View all
Sponsored Press Releases
Vive le Révolution!
A flash of inspiration; a meeting of minds; standing up for what you believe in; passion for a cause. Stirring stuff… sentiments that have and could spark revolutions - and the thinking behind new digital publication, COUP.
16 Aug 2010
Our glossary contains a wide variety of industry terminology, acronyms, buzzwords, neologisms and protologisms.

If you have interesting definitions to submit, please contact us.

A | B | C | D | E | F | G | H | I | J | K | L | M |
N | O | P | Q | R | S | T | U | V | W | X | Y | Z |

Show all terms
Blog

Standard Bank is popping-up an effective campaign

When designing an advertising campaign, how effective is it to use more than one platform in which to run your campaign? Standard Banks’s new MyCard campaign is one such example that uses the mediums of both television and print. Totally Mad’s Lindsey Kin comments....read more
Advertisement
Archives
2 September 2010 Week in review
26 August 2010 Week in review
19 August 2010 Week in review
12 August 2010 Week in review
5 August 2010 Week in review
29 July 2010 Week in review
22 July 2010 Week in review
15 July 2010 Week in review
8 July 2010 Week in review
1 July 2010 Week in review