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Media NewsBig Bang Theory to start on SABC3

Published: 3 November 2009

The Big Bang Theory will start on Tuesday, 17 November at 19:30 on SABC 3. The Big Bang Theory stars Johnny Galecki (Roseanne; Hope & Faith) as Leonard and Jim Parsons (Judging Amy; Garden State) as Sheldon, two brilliant physicists with the kind of 'beautiful minds' that understand how the universe works.


The Big Bang Theory will start on Tuesday, 17 November at 19:30 on SABC3.

The Big Bang Theory stars Johnny Galecki (Roseanne; Hope & Faith) as Leonard and Jim Parsons (Judging Amy; Garden State) as Sheldon, two brilliant physicists with the kind of 'beautiful minds' that understand how the universe works. But none of that genius helps them interact with people, especially women. All this begins to change when a free-spirited beauty named Penny (Kaley Cuoco - 8 Simple Rules for Dating My Teenage Daughter) moves in next door. Sheldon, Leonard's roommate, is quite content spending his nights playing Klingon Boggle with their socially dysfunctional friends, fellow Caltech scientists Wolowitz (Simon Helberg - Studio 60 on the Sunset Strip) and Koothrappali (Kunal Nayyar). However, Leonard sees in Penny a whole new universe of possibilities ... including love.

The Big Bang Theory was created and is executive produced by Chuck Lorre (Two and a Half Men) and Bill Prady (Gilmore Girls; Dharma & Greg). The series is from Chuck Lorre Productions, Inc. in association with Warner Bros. Television.

Johnny Galecki - Leonard
John Mark 'Johnny' Galecki (born 30 April 1975) is an American actor. He is best known for his roles as David Healy in the sitcom Roseanne and Rusty Griswold in National Lampoon's Christmas Vacation. Galecki was cast in similar roles in the 1997 summer slasher I Know What You Did Last Summer as a jealous loser who has an eye for Jennifer Love Hewitt and the 1998 dark comedy The Opposite of Sex as a gay teen who lies about being molested. In the year 2000, Galecki took a bit of a twist and reunited with the same filmmaker who cast him in Bounce as Seth (a gay man). Galecki continued his film streak with other David Healy-like roles in Suicide Kings as a nebbishy rich kid and brief bit parts in high-profile films such as Bean and a minor supporting part in Vanilla Sky. Galecki showed that he had range as an actor with typecast-breaking roles like a young criminal delinquent in A Family Torn Apart. Galecki appeared in a first-season episode of My Name Is Earl as a golfer. He played a character named Trouty on TBS's sitcom My Boys. He also played the half-brother of the main characters, sisters Hope Shanowski and Faith Fairfield, in the TV sitcom Hope & Faith. In late 2006/early 2007, Galecki starred in the Broadway play The Little Dog Laughed. Galecki appeared briefly in the 2008 superhero comedy Hancock, alongside Will Smith and Jason Bateman. He also appears in the music video of the Dave Matthews Band song Satellite. He plays the cello and has played it while in different characters.

Jim Parsons - Sheldon
James 'Jim' Parsons (born 24 March 1973) is an American television and film actor born and raised in Houston, Texas. Parsons started acting in first grade. He went on to study acting at the University of Houston where he was a member of the Pi Kappa Alpha Fraternity. He later earned a Master's degree from the University of San Diego while performing at the Old Globe Theatre. Jim is best known for playing Sheldon Cooper, Ph.D on the CBS sitcom The Big Bang Theory, with his performance often cited as the main reason for the programme's success. On 16 July he was nominated for an Emmy Award for 'Outstanding Lead Actor In A Comedy Series' for his work on The Big Bang Theory. In August, he won the TCA Award for the highest individual achievements in comedy. Parsons' television credits include a recurring role in the series Judging Amy. His feature film credits include Garden State; Heights; On the Road with Judas; Gardener of Eden; 10 Items or Less; and School for Scoundrels. While at the University of Houston, he helped found the not-for-profit theatre company, Infernal Bridegroom Productions, acting in such productions as Endgame; Guys and Dolls; and The Balcony.

Kaley Cuoco - Penny
Cuoco (born 30 November 1985) is an American television actress, best known for her roles as Bridget Hennessy on the sitcom 8 Simple Rules and Billie Jenkins on the supernatural drama series Charmed. Cuoco began modeling and acting at age six. Her first major role was in the 1992 TV movie Quicksand: No Escape. Her role as Maureen McCormick in the 2000 TV movie Growing Up Brady brought her much attention, as well as a role on the CBS sitcom Ladies Man. In 2004, in addition to her role on 8 Simple Rules where she played a teenager, she has had starring roles on the NBC miniseries 10.5, on the ABC Family original movie Crimes of Fashion, and in the independent film Debating Robert Lee. In 2000 she starred in the Disney Channel Original Movie Alley Cats Strike. Cuoco was named #78 on FHM-US' 100 Sexiest Women in 2005. She began voicing the character of Brandy Harrington on the Disney Channel's cartoon, Brandy and Mr. Whiskers, later in 2004. In 2004, Cuoco co-starred in the movie The Hollow. Cuoco also starred in the Lifetime film To Be Fat Like Me which premiered on 8 January 8. She also played a minor role in the Prison Break episodes 'The Message' and 'Chicago'.

Simon Helberg - Howard Wolowitz
Helberg was born on 9 December 1980 in Los Angeles, California, the son of actor Sandy Helberg. He attended New York University's Tisch School of the Arts where he trained at the Atlantic Theater Company. He is an American comic actor. Helberg is most notable for his membership in the recurring cast of comedians on sketch comedy series MADtv. Helberg officially joined the cast of MADtv in 2002, as a feature performer, for the eighth season. Helberg's tenure on MADtv was limited to only one season. At the end of season eight, his contract was not renewed. Helberg appeared in the 2002 feature film National Lampoon's Van Wilder. In 2004, he was in two episodes of Reno 911!: Student Driver in Raineesha X and Hooker Buying Son in Not Without My Mustache. He also played a small role in the film Walk Hard: The Dewey Cox Story as a Jewish record producer. In 2004 he appeared in the film A Cinderella Story. From 2004 to 2006, he appeared as the character Seth in the American sitcom Joey. From 2006 to 2007, he had a minor supporting role as Alex Dwyer in the drama Studio 60 on the Sunset Strip. In 2006, Helberg appeared in a series of comical TV commercials for Richard Branson's UK financial services company Virgin Money. In 2005 he had a bit part on Arrested Development. He had a minor role in the movie Old School. Beginning in 2007, he appeared as the character Moist in Dr. Horrible's Sing-Along Blog, and had a small role in the pilot of the Judd Apatow-produced sitcom Undeclared.

Kunal Nayyar - Rajesh Koothrappali
Nayyar born 30 April 1981 in London is an English-Indian comic actor. He is currently known for his role as Rajesh Koothrappali on the CBS sitcom The Big Bang Theory. Recently, Nayyar teamed-up with Oroon Das, to write the critically acclaimed play Cotton Candy, which is currently still running in New Delhi, India. Nayyar also guest-starred in the CBS drama NCIS (Naval Criminal Investigative Service), in the episode 'Suspicion' (Season four) in which he played Youssef Zidan, a terrorist. He was on The Bonnie Hunt Show on 22 April and on The Late Late Show with Craig Ferguson on 8 May.


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To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image

The ‘to Photoshop or not to Photoshop’ debate was raging on Carte Blanche last weekend. In this light, new digital magazine, COUP, has a strong ‘we do not digitally manipulate’ policy. On the other hand, most magazines do enhance aspects of the photos they use – particularly those on the front cover.


To Photoshop or not to Photoshop? The effect of media’s enhanced photos on body image
By Leigh Andrews

While the red eye reduction tool certainly has its benefits, it’s seen as ‘not cool’ to go so far as to erase stretch marks and recontour the body shape. Certain celebs have been known to kick up a fuss if this happens, such as Kate Winslet, who is not a fan of ‘excessive retouching’, and claims that the cover of GQ was altered to such an extent that it reduced the size of her legs by half.

The issue was highlighted again when Hotel Rwanda actress and poet, Lebo Mashile, complained that the November 2009 issue of True Love Photoshopped her ‘to look thinner.’ All fair and well to digitally enhance photos for aesthetic qualities, such as improving the quality of light in the photo, particularly those appearing in print titles, but where do we draw the line with Photoshopping?

In Carte Blanche on 22 August, Carol Albertyn Christie produced a segment presented by Annika Larsen on Photoshopping. This brought to light the issue of whether the beauty standards set by excessively airbrushed photos are realistic or not – considering that even Penelope Cruz, the woman with the most ‘symmetrical’ face, has her photos retouched before they appear in publications. In digitally manipulating these images, are we saying that the clothes only look good on created females or mannequins? Or that even supermodels don’t have lashes long enough to meet the standard the mascara brands are setting - so much so that they add in false lashes to create the illusion of the perfect set of cheek grazers?

Mashile explained on Carte Blanche that she is passionate about the topic of accurate female representation in the media and public space, and that she is comfortable in her own body – this is why she took offense – while the photo in the feature article ‘still looked like her’, the cover image made her look considerably thinner than she really is. There are some people out there who go to drastic lengths to ‘attain perfection’, with cosmetic surgery; tooth whitening; and rib removal for a smaller waist, but most of us are more than happy to load the snaps we take with a digital camera straight onto Facebook, without stopping to ‘touch up’ our look with an image editing program – it’s about capturing the moment, not the actual look. The recent Dove 'Self-Esteem Trust campaign highlighted by local advertising guru, Andy Rice, draws on this element – a plain-looking girl, with short hair and no make-up, being primped for a photo shoot – with hair extensions; extensive make-up; and a great deal of ‘Photoshopping’ to lengthen her neck and create a sharper image, before finally appearing on an advertising billboard. The ad then encourages watchers to join the ‘Campaign for Real Beauty’. The message of the campaign - to not make us feel pale in comparison - comes across strongly.

In this regard, Jessica Simpson is surprisingly one of the celebs who agreed to have herself photographed ‘without a stitch of make-up or retouching’ on the May cover of Marie Claire magazine. She is quoted as saying: "I don't have anything to prove anymore… What other people think of me is not my business.

This might be taking things a little too far on the other end of the spectrum, as when we want to look great in a photo, we will take the time to look good beforehand – on that note, Mashile also pointed out that there’s considerable ‘pre-image manipulation’ that goes on in a photo shoot before the photo is even taken, as make-up is placed on stretch marks and blemishes, and lighting is strategically placed to enhance certain features.

Artwell Nwaila, Creative Editor of COUP and Newsclip’s Publishing Division, is anti-air brushing as a whole, as he feels it takes away from the art of true photography. “Besides the fact that airbrushing makes one look ‘plastic’, airbrushing sets an unrealistic bar for the reader to reach physically. It is correct to assume that consumers expect airbrushed models on their publications, and yes, they do sell, but photographers and designers need to find the line between removing spinach from your teeth and completely overhauling a face.”

Nwaila adds that in the early years of Rolling Stone magazine, beautiful raw images set the trend for magazine covers – we now live in a society where ‘perfect’ is the bar. He adds, “If the photographer is any good, there should not be need for major ‘photo plastic surgery’. Maybe that’s where the problem starts…”

What are your feelings on this topic? Do you agree that air brushing sets unrealistic expectations, or is it just part of ‘the nature of photography’? Please share your thoughts on our blog.

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’Every sector is regulated – why shouldn’t the media be?’ Media freedom debate rages on

On Monday, 23 August, the University of Johannesburg hosted a public debate around the issue of the raging media freedom dispute. Chaired by Professor Adam Habib, the panel speakers included AVUSA’s Mondli Makhanya; media freedom expert from the Freedom of Expression Institute, Raymond Louw; and then-Parliamentary speaker and -Deputy President, Baleka Mbete.


By Desi Tzoneva

Habib began by highlighting that the University was hosting this gathering because of the importance placed on establishing a university that is engaged with society. “One way to do this is to ensure that we create platforms to deliberate issues for the society.”

Over the past few weeks, the Protection of Information Bill has been an important topic that has caused much controversy and has seen many getting involved and expressing concerns, said Habib, who added that the debate has sparked a number of events where many government figures are engaging with the issue, and one where representatives from foreign countries have expressed concern, making this “an opportunity to bring together the role players.”

AVUSA’s Mondli Makhanya opened the debate by stating that the level of press freedom has been a great source of pride for the country since the onset of democracy, and that this freedom of press extends to more than the press as it enables an entire society to be free. While many countries only achieve this after centuries, South Africa has done so in a short period of time, “something we should entrench.” Makhanya also advised that South Africans should push to be ‘more open’, as this is a reflection of prosperous societies.

“We shouldn’t want to lose this status… or be a country that limits freedoms such as the freedom of the media and freedom of expression,” he said.

“When media speaks out in defence of a free media, we’re not talking about our jobs but about the society we live in. Our jobs are to inform accurately; to let our society be open and robust; be open to debate; and help it define itself. We want to tell our stories freely and be a balanced and accurate press,” he stated.

Makhanya highlighted the ‘unnecessary acrimony’ and ‘bitter debate’, which has seen much said but ‘people talking past each other’. “We’ve moved from one extreme to another, where, as a result, we now debate our very democracy.”

Makhanya said that journalists; the media; and civil society has been accused of reacting hysterically to the recent Protection of Information Bill, despite its perception as “the most draconian piece of legislation we’ve encountered.”

“We, as the media, believe the government has rights to handle secrets for the security of a society, but this has to be done within a transparent system of classifying documents and a classification regime that is predictable.” The current Bill before parliament, he said, enables the classification of ‘virtually everything’ by bureaucrats at local and municipal levels; at parastatals; and at senior levels of government, without giving reasons.

He said this is ‘eerie’, as organisations such as COSATU have criticised the Bill due to fears that the increased power of parastatal executives may mean they could be criminalised for speaking about general issues with trade union members. The broadness is a problem, Makhanya added, mentioning the problem of the definition of ‘national interest’, which needs much clarification in order to take into account the public interest. “The document turns us into a secretive society where anyone can hide corrupt; wrong; or incompetent things,” and because of this, “Our society should err on the side of openness.”

He commented that the opposition to the Bill was not because the media does not want to be accountable or regulated - “we’re not above the law,” he said, but rather because the media believes that the current system of the Press Ombudsman and the Press Council is effective in holding the print media accountable. “Accusations that these institutions don’t have ‘teeth’, is not the case.”

The office of the Press Ombudsman is powerful and not biased towards the media, often making harsh judgements against it. Its rulings are obeyed without fail, and a sanction of apology is one of the strongest forms of punishment print media can get. This is why the media is also opposed to proposals of fining and imprisoning journalists.

“If the office is weak, we can strengthen it by asking the public to make suggestions and by meeting with the ruling party, but we’re very opposed to statutory regulations,” Makhanya stated, adding that any mechanisms put in place about media freedom are “not about today,” but rather about what is left behind for future generations.

Baleka Mbete spoke next and agreed with Makhanya that the recent debate has been unnecessary, “because we’re dealing with matters where it sounds like one side is trying to silence the other.” This, she said, is not the case. “We’re open and transparent. We want people to express different views, and, from this process, to come with a final product from various views on the table.”

She began by discussing the government’s stance on the Protection of Information Bill, and highlighted that this is legislation that any state needs. “Any government has, and must have, secrets, and it needs to regulate how information is classified and what is restricted.” Currently, South Africa is regulated by the 1982 Protection of Information Act, which was the regulating system for the apartheid state and was used against the press by the then ruling party, but this legislation, she said, is ‘outdated’.

“Contrary to what is assumed, the new Bill is not directed at the media but on how to classify; who should classify; on what basis; with what penalties being meted out for which offences,” she stated.

“The reality is that in 16 years of democracy, we’ve experienced some problems of information peddling… and increasing threats of espionage with specific departments earmarked.” The Bill, she said, is a clear intention by the government “to say we have order and a system that says how information is classified.” This legislation needs to improve on the 1980s Act because there are some private intelligence community bodies that need proper identification. “The Bill is about protecting citizens.”

Mbete moved to a discussion of the proposed Media Appeals Tribunal (MAT), and stated that although media freedom is protected, the freedom of expression should not be elevated above rights such as privacy and dignity. The MAT, she stated, would serve to strengthen the current self-regulatory institutions. It is envisioned that the Tribunal would be a statutory institution accountable to Parliament. “Every sector is regulated, why can’t the media be regulated?”

Other issues she identified included those of ownership; management; and operations. “Newspapers are businesses where owners call the shots and [have] policies according to which poor journalists need to write.”

The self-regulating system, she said, takes too long to make its rulings, causing damage to complainants who may have to wait months for an apology or vindication. “[The media thinks it is] a certain category of human beings whose rights can’t be trampled on. This system is not on it as it doesn’t look at the rights of individuals,” concluded Mbete.

Raymond Louw from the Freedom of Expression Institute again highlighted that when discussing media freedom, this does not only affect journalists – it affects everyone. “An attack on journalists means that the freedom of everyone is attacked.”

Louw highlighted some concerns with the Protection of Information Bill. He said that the Bill was unclear in its methods for classification and decreasing its draconian provisions. He also criticised the poor ‘consultation’ on the Bill between Parliament and the media, and said that it was vital that cautionary statements in the initial Bill be re-included in the current one. “The person deciding to classify information is not going to be held back about the rights of the public.”

Louw also commented on the wide definition of the term ‘national interest’ – “it’s so wide it encompasses everything,” and explained that an example of information that will be classified in the future would be the state of morale in the defence force. “Opposition and MPs are challenging the current minister on this issue, but if the bill is put in place, no-one would be able to do so.”

The current Bill is worse than the 1980s Act because it concentrates on the need to preserve secrecy on issues of national security. The previous Act does not refer to the national interest but to other interests which were never spelt out. The current Bill, however, does so.

Louw also highlighted that opposition to the Bill has not only come from media but also from institutions such as the Freedom of Expression Institute and civil society, with the most impressive opposition being from the Law Society of South Africa – a body representing 20 000 advocates and lawyers, who oppose the Bill on Constitutional grounds. COSATU, too, has opposed the Bill alongside other parliament members.

Louw stated that the question of punishing the media has been in existence before the formation of the office of the Press Ombudsman in 1995 as a result of the National Party (NP) government seeking visible forms of punishment. This was driven by a case where a person suffered at the hands of the media, but it was later found that the complainant had lied and the question of the fine already paid by the media had to be decided. Fines are inappropriate, said Louw, and added that in a survey of press councils in the world, 86% adhere to the system South Africa currently follows. The reason he cited is that punishment through fines or imprisonment “would contravene the freedom of expression in the Constitution and place media in a different category to ordinary citizens. It would contravene the freedom of expression clause.”

He ended by recommending that the Bill be withdrawn; rephrased; and redrafted after consultation.

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